89 Mp4

LINK === https://cinurl.com/2tl41e

The McLaren MP4/5, and its derived sister model, the McLaren MP4/5B, were highly successful Formula One racing cars designed by the McLaren Formula One team based in Woking, England, and powered by Honda's naturally-aspirated RA109E and RA100E V10 engines respectively. The chassis design was led by Neil Oatley, teaming up with Steve Nichols, Pete Weismann, Tim Wright, Bob Bell and Mike Gascoyne. As with the previous designs, Gordon Murray, as Technical Director, had the role of liaising between the drawing office and production. Osamu Goto was the Honda F1 team chief designer for the car's engine.[3][4]

The MP4/5 was loosely based on its 1988 predecessor, the all-conquering MP4/4. McLaren used the new car for half of the 1989 season using the Weismann Longitudinal Transmission from the MP4/4, and the MP4/5B with the Weismann Transverse Transmission for the last half of the 1989 season and for 1990, earning back to back drivers' and constructors' world titles with the type.

1989 was the first year where naturally aspirated engines were compulsory for all teams after the banning of the turbocharged units at the end of the previous season. To this end, Honda built a 3.5-litre V10 engine, developed throughout most of the latter half of 1987 and through 1988. The MP4/5 was unveiled for pre-season testing and it was instantly on the pace, as well as reliable. Developed by Neil Oatley, the MP4/5 looked like the car to beat in the new season. While the Ferrari that season was a fast all-around car particularly in the hands of Nigel Mansell, it was also chronically unreliable due to its new semi-electronic gearbox shift, giving a further advantage to McLaren. The Honda-powered MP4/5 proved to have the outright pace over the rest of the field, with fifteen pole positions, thirteen of them by Senna which equaled his 1988 record in the MP4/4. At the Mexican Grand Prix, Senna scored his 34th career pole in the MP4/5, breaking the previous record of 33 held by the late Jim Clark that had stood since 1968.[5]

McLaren took ten victories during the season, six for Ayrton Senna and four for Prost. This was at a time when the relationship between the two men was at its breaking point, so their rivalry pushed the development of the car far ahead of the other teams as they tried to out-do each other (although theirs was a very public rivalry, both actually worked well together in testing and Prost believed neither held back any information). Although Senna won six races to Prost's four and usually finished ahead of the Frenchman in the races, accidents and car breakages meant that he had four fewer points-scoring finishes and finished 16 points behind his French rival in the championship.[6] Senna and Prost's combined points total meant McLaren easily won their second straight Constructors' Championship. A version that had a transversely-mounted gearbox made its debut at the British Grand Prix, with Prost taking victory however Senna went off at Becketts while struggling with the gearbox in his car.

Like 1988, the Drivers' Championship was a two-horse race between defending champion Senna and dual champion Prost. The championship was settled at the penultimate race in Japan. After dominating qualifying (with Senna predictably on pole), the two McLarens were evenly matched in the race and simply drove away from the rest of the field until their fateful collision at the chicane on lap 46. Prost was out on the spot while Senna was able to restart and after pitting for a new nose section, re-took the lead from the Benetton-Ford of Alessandro Nannini and went on to win the race. Ultimately, however, he was disqualified post-race for receiving a push start and missing the chicane after restarting which gave Prost his 3rd World Championship.[7]

1989 was McLaren's fourth Constructors' Championship of the 1980s following on from 1984, 1985 and 1988, making the team the equal leading constructor of the decade with Williams who won in 1980, 1981, 1986 and 1987. It was also Honda's fourth consecutive Constructors' Championship as an engine manufacturer, and McLaren's fifth Championship overall having won their first in 1974.

Prost went on to move to Ferrari for the 1990 season, as announced during the midseason of the previous year, taking designer Steve Nichols with him. The Frenchman was unhappy because he believed that McLaren and Honda were favouring Senna.

As a result, Ferrari and McLaren swapped car numbers, giving Prost and teammate Nigel Mansell the numbers 1 and 2, and giving Senna and Gerhard Berger, who had swapped with Prost at Ferrari, the numbers 27 and 28.

For the 1990 version of the car, designated MP4/5B, Oatley and his team redesigned the front and rear wings, and reprofiled the rear bodywork around larger radiators, and several all-new venturi tunnels were put on the rear floor of the car. The engine was tweaked by Honda, and Senna did much development work to ensure he would have better reliability in the new season. He and Gerhard Berger took the fight to Prost and Ferrari in 1990, winning another six races and winning the Constructors' Championship. The McLaren proved to have an outright speed advantage in qualifying and was notable for the number of times both cars were on the front row. The car appeared to struggle slightly against the Ferrari 641s in the races themselves, particularly on heavy fuel loads with the Ferraris' race pace almost negating the McLarens' qualifying supremacy.[8]

Gordon Murray, the famed South African designer who had previously worked at Brabham since 1969, had designed championship-winning cars for the team and joined McLaren in 1987, retired from Formula One after his work on this car. He went to work on McLaren's road car project.

There was a test mule during the 1990 season created by McLaren called MP4/5C for Honda's new V12 engine that was to be used by the Woking outfit for the following two seasons. This car, driven by the team's test driver Allan McNish, made its public on-track debut at a 3-day test session held at Silverstone the week before the 1990 French Grand Prix. While McNish did not push the car to its limits, the V12 impressed with its reliability at such an early stage of development.[10][11]

Senna's MP4/5B was included in the 2001 video game Gran Turismo 3 under the alias \"F090/S\", but only in the Japanese and American versions. It was the least powerful F1 car in the game producing 700 PS (690 hp). It could be won by winning the Super Speedway endurance, the Grand Valley 300 km Endurance, the Dream Car Championship in Professional league, or by winning Formula GT. It is a random prize car in all four series.

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This very rare model is predominantly made of plastic and is a Marlboro show model from the F1 period that represents the McLaren Honda MP4 / 4 of the legendary driver Ayton Senna, of which very few units were made worldwide. The model is in good condition for its age and has always had the same owner. In the photos you can see two very small cracks in the rear wing and the axle of a wheel.Model measurements: L89 x H42 x H20 cmA unique piece of motorsport history.

All I want to do is lower the volume, but every single program/application I can find to do this ALSO then re-exports or re-encodes or somehow alters the video track as well. I've tried all sorts of video and audio software, including QuickTime, iMovie, QuickTime Player 7, VideoPad, SimpleMovieX, FinalCutPro, Prism, VLC, QTAmateur, Amadeus, and others whose names escape me at the moment. Not a single one, as far as I can tell, allows the user to just alter a file's audio track and leave the video track untouched.

So my question is: Does anyone know of any software that allows the user to (easily) adjust a movie file's audio volume, and then \"saves\" the changes without having to re-encode or re-export or touch the video track in any way

Unfortunately, I have two days of video footage (16 hours) that I spent all week exporting to 720p H264 MOV files for YouTube delivery, and now the client says the audio is slightly too low. I don't want to re-encode everything again. While the QT7 Pro trick does work when played back in QuickTime, once I upload the newly adjusted/saved clip to Youtube, the audio gain settings are ignored and have the same low audio levels as the originals... Alas, I too am in the same trouble... Is there another solution to this

- if you are certain that the volume setting you made in Properties > [Audio Settings] TAB are being ignored, then poking around YouToob help > =en - then search > =audio+volume+setting&vid=1-635802671 076365089-571489132

If I were you, before I started troubleshooting anything, I would make a SHORT 'test' movie to work with (Best Practice is to Work any Plan start to finish with a 'test' content to avoid exactly where you find yourself - Murphy's Law states \"If it can, it will.\")

Hey Thanks Chitlins! That seems to work on my 7 second sample clip, I never thought of YouTube as an editing tool.. but hey, its a quick fix without hours of hassle. The other fix I researched just today is taking the 2 hour long QuickTime clip (3GB), opening in Sountrack Pro, adjusting levels/Normalization,etc.. then saving as a duplicate clip. Apparently that process only take like 10- minutes... Exporting out that same 2 hour clip from my original source from FCP/Compressor would be like 8 hours! I stick with the YouTube route for now.

As we are taught, \"the customer is always right.\" We are further taught that we should design and craft using \"our Mother\" as the target audience.\" (if we know nothing about our target audience from market research) We also know that things such as audio are \"subjective\". My Mother is half deaf and wears hearing aids! 59ce067264

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